Bluetech
April 13, 2019 9:30 pm CDT
Bluetech

Evan Bartholomew has been performing electronic music for nearly 20 years as Bluetech, Evan

Marc and Invisible Allies (with Kilowatts).

As an an internationally recognized touring music producer with over 27 album / EP releases and a

seasoned portfolio of video game and film scoring credits, Bluetech is a master of analog and

modular sound synthesis and DSP audio manipulation. He brings a passion for sound design and

cutting edge audio exploration into all the work he touches. His music transcends the constructs

normally associated with a calculated “electronic artist,” pursuing music with meaning and purpose

with downtempo, future bass and progressive electronic music, rife with emotional intent and

poly-rhythmic percussion.

Bluetech began his training as a classically trained pianist at a young age, and has explored his craft

as a DJ, musician, film composer, record producer and label owner. His work has evolved to include

his roots in classical composition and ear for nomadic harmonic progressions and a deep awareness

of music as a kinetic force with body moving beat mechanics.

Working as a solo artist, as well as a producer, he has written scores for film & television (CSI:

Miami, Scared Sacred, Occupy Love, Albedo Absolute, various television commercials), video

games (Comet Crash 2 – forthcoming PS4) and virtual reality installations (MicrodoseVR). In

addition to music, Evan has established a reputation as an accomplished graphic designer,

illustrator, and 3D animator through both his personal work and commissions for clients (Microsoft,

Austin City Limited, City Of Seattle). Bluetech has toured extensively throughout the U.S. and

internationally, having shared stages with such acts as The Glitch Mob, The Orb, Bassnectar, Ott,

Juno Reactor and many more.

Bluetech’s latest album “4 Horsemen of the Electrocalypse: The Black Horse” is an analog and

modular based composition, in the same vein that he explored with his previous two albums “The

Red Horse” and “The White Horse,” both released in 2016. Ranging from dark Detroit influenced

electro, synthfunk, to more melodic techno explorations, this release pushes forward Bluetech’s

unique analog based approach to sound and music production.

John Bruce